Oliver Ressler

In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face o...

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Autor principal: Guasch, Anna Maria
Formato: Digital
Lenguaje:spa
Publicado: UNIVERSIDAD ANTONIO NARIÑO 2024
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Acceso en línea:https://revistas.uan.edu.co/index.php/nodo/article/view/2054
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author Guasch, Anna Maria
author_facet Guasch, Anna Maria
author_sort Guasch, Anna Maria
collection OJS
description In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face of global warming caused by greenhouse gases, and perhaps for the “utopia” of building a world without CO2 emissions. before the year 2050.
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spelling revistas.uan.edu.co-article-20542024-12-05T16:00:18Z Oliver Ressler Guasch, Anna Maria Arte contemporáneo Oliver Ressler Justicia medioambiental Crisis climática Arte contemporáneo Clima Contemporary Art Oliver Ressler Environmental justice Climate crisis In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face of global warming caused by greenhouse gases, and perhaps for the “utopia” of building a world without CO2 emissions. before the year 2050. En los trabajos que componen este dossier, el artista Oliver Ressler (Austria, 1970) sustituye el concep­to de “democracia participativa” —que había carac­te­ri­za­do obras como la emblemática What is Democracy? (2009)— por el de “justicia climática”, con filmes en los que el protagonista es la emergencia ante el calentamiento del planeta provocado por los gases de efecto invernadero, y quizás por la “utopía” de construir un mundo sin emisiones de CO2 antes del año 2050.  UNIVERSIDAD ANTONIO NARIÑO 2024-11-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/2054 10.54104/nodo.v19n37.2054 REVISTA NODO; Vol. 19 Núm. 37 (2024): Mapeando el arte global. La investigación crítica de Anna Maria Guasch; 66-77 2346-092X 1909-3888 10.54104/nodo.v19n37 spa https://revistas.uan.edu.co/index.php/nodo/article/view/2054/1541 Derechos de autor 2024 Anna Maria Guasch https://creativecommons.org/licenses/by-nc-sa/4.0
spellingShingle Arte contemporáneo
Oliver Ressler
Justicia medioambiental
Crisis climática
Arte contemporáneo
Clima
Contemporary Art
Oliver Ressler
Environmental justice
Climate crisis
Guasch, Anna Maria
Oliver Ressler
title Oliver Ressler
title_full Oliver Ressler
title_fullStr Oliver Ressler
title_full_unstemmed Oliver Ressler
title_short Oliver Ressler
title_sort oliver ressler
topic Arte contemporáneo
Oliver Ressler
Justicia medioambiental
Crisis climática
Arte contemporáneo
Clima
Contemporary Art
Oliver Ressler
Environmental justice
Climate crisis
topic_facet Arte contemporáneo
Oliver Ressler
Justicia medioambiental
Crisis climática
Arte contemporáneo
Clima
Contemporary Art
Oliver Ressler
Environmental justice
Climate crisis
url https://revistas.uan.edu.co/index.php/nodo/article/view/2054
work_keys_str_mv AT guaschannamaria oliverressler
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