Oliver Ressler
In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face o...
Saved in:
Main Author: | |
---|---|
Format: | Digital |
Language: | spa |
Published: |
UNIVERSIDAD ANTONIO NARIÑO
2024
|
Subjects: | |
Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/2054 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
_version_ | 1819013452446826496 |
---|---|
author | Guasch, Anna Maria |
author_facet | Guasch, Anna Maria |
author_sort | Guasch, Anna Maria |
collection | OJS |
description | In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face of global warming caused by greenhouse gases, and perhaps for the “utopia” of building a world without CO2 emissions. before the year 2050. |
format | Digital |
id | revistas.uan.edu.co-article-2054 |
institution | Revista NODO |
language | spa |
publishDate | 2024 |
publisher | UNIVERSIDAD ANTONIO NARIÑO |
record_format | ojs |
spelling | revistas.uan.edu.co-article-20542024-12-05T16:00:18Z Oliver Ressler Guasch, Anna Maria Arte contemporáneo Oliver Ressler Justicia medioambiental Crisis climática Arte contemporáneo Clima Contemporary Art Oliver Ressler Environmental justice Climate crisis In the works that make up this dossier, the artist Oliver Ressler (Austria, 1970) replaces the concept of “participatory democracy”—which had characterized works such as the emblematic What is Democracy? (2009)—for “climate justice,” with films in which the protagonist is the emergency in the face of global warming caused by greenhouse gases, and perhaps for the “utopia” of building a world without CO2 emissions. before the year 2050. En los trabajos que componen este dossier, el artista Oliver Ressler (Austria, 1970) sustituye el concepto de “democracia participativa” —que había caracterizado obras como la emblemática What is Democracy? (2009)— por el de “justicia climática”, con filmes en los que el protagonista es la emergencia ante el calentamiento del planeta provocado por los gases de efecto invernadero, y quizás por la “utopía” de construir un mundo sin emisiones de CO2 antes del año 2050. UNIVERSIDAD ANTONIO NARIÑO 2024-11-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/2054 10.54104/nodo.v19n37.2054 REVISTA NODO; Vol. 19 Núm. 37 (2024): Mapeando el arte global. La investigación crítica de Anna Maria Guasch; 66-77 2346-092X 1909-3888 10.54104/nodo.v19n37 spa https://revistas.uan.edu.co/index.php/nodo/article/view/2054/1541 Derechos de autor 2024 Anna Maria Guasch https://creativecommons.org/licenses/by-nc-sa/4.0 |
spellingShingle | Arte contemporáneo Oliver Ressler Justicia medioambiental Crisis climática Arte contemporáneo Clima Contemporary Art Oliver Ressler Environmental justice Climate crisis Guasch, Anna Maria Oliver Ressler |
title | Oliver Ressler |
title_full | Oliver Ressler |
title_fullStr | Oliver Ressler |
title_full_unstemmed | Oliver Ressler |
title_short | Oliver Ressler |
title_sort | oliver ressler |
topic | Arte contemporáneo Oliver Ressler Justicia medioambiental Crisis climática Arte contemporáneo Clima Contemporary Art Oliver Ressler Environmental justice Climate crisis |
topic_facet | Arte contemporáneo Oliver Ressler Justicia medioambiental Crisis climática Arte contemporáneo Clima Contemporary Art Oliver Ressler Environmental justice Climate crisis |
url | https://revistas.uan.edu.co/index.php/nodo/article/view/2054 |
work_keys_str_mv | AT guaschannamaria oliverressler |