Feral. Prácticas de investigación-creación
This essay introduces an operational lexicon and a methodological procedure for approaching research-creation as situated knowledge production. Grounded in an autoethnographic point of departure shaped by violence in Mexico, it defines apparatus (perception/archive/activation), the feral, and feral...
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| Formato: | Digital |
| Lenguaje: | spa |
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UNIVERSIDAD ANTONIO NARIÑO
2026
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| Materias: | |
| Acceso en línea: | https://revistas.uan.edu.co/index.php/nodo/article/view/2462 |
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| Sumario: | This essay introduces an operational lexicon and a methodological procedure for approaching research-creation as situated knowledge production. Grounded in an autoethnographic point of departure shaped by violence in Mexico, it defines apparatus (perception/archive/activation), the feral, and feral epistemologies, alongside two positional axes: locus of enunciation and epistemic displacement. It frames the apparatus as a relational structuring principle and the feral as an orientation beyond domesticated frameworks of intelligibility, and proposes Sensing-Based Transdisciplinary Artistic Research (S-BTAR) as a procedure that links conceptual tools to creative decisions. The argument is evidenced through case studies including 2487, detritus, power · room, and Vis.[un]necessary force_ 1.01. |
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