Laboratorio de creación teatralidades populares y festivas: convergencias para una educación artística intercultural propia

The necessity of training art educators capable of addressing the growing diversity within educational communities, intensified by mass migrations, poverty, and violence, underscores the urgency to respond to these realities. This qualitative research, located at qualitative approach, from a socio-c...

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Bibliographic Details
Main Author: Llenera Avendaño, Francisco Alexánder
Other Authors: Parga Herrera, Humberto
Format: Estudio exploratorio
Language:spa
Published: Universidad Antonio Nariño 2024
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Online Access:https://repositorio.uan.edu.co/handle/123456789/9942
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Summary:The necessity of training art educators capable of addressing the growing diversity within educational communities, intensified by mass migrations, poverty, and violence, underscores the urgency to respond to these realities. This qualitative research, located at qualitative approach, from a socio-critical paradigm and a research-creation methodology, generates curricular orientations for the training of art educators through critical dialogues supported by decolonial theory, emerging from research-creation. Conducted between 2022 and 2024, it was developed in four stages: Uncertainties, Complexities, Ambiguities, and Multicolored Polyphonies, involving 29 students, 4 professors, and 5 directors of Colombian popular theater, within a pedagogical dynamic in situ during popular and festive manifestations.
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