Aproximación al Teatro Musical Desde el Canto y la Danza
The musical is a broad genre, which offers the artist multiple interpretive possibilities in where theater, song and dance are its main components, demanding from the artist a interdisciplinary training that expands their creative and interpretive capacities. This stimulates my need from the song, i...
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| Format: | Trabajo de grado (Pregrado y/o Especialización) |
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Universidad Antonio Nariño
2022
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| Online Access: | http://repositorio.uan.edu.co/handle/123456789/6637 |
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| author | Asprilla Rubiano, Stephannie |
| author2 | Mejía Flórez, Claudia María |
| author_facet | Mejía Flórez, Claudia María Asprilla Rubiano, Stephannie |
| author_sort | Asprilla Rubiano, Stephannie |
| collection | DSpace |
| description | The musical is a broad genre, which offers the artist multiple interpretive possibilities in where theater, song and dance are its main components, demanding from the artist a interdisciplinary training that expands their creative and interpretive capacities. This stimulates my need from the song, investigate this genre and delve into the interrelation of the disciplines that according to this apparently unknown genre and with little presence on stage and national repertoires. Almazán (2015) tells us “musical theater allows the artist to cultivate values, attitudes and habits linked to coexistence and teamwork, as well as to the processes that it entails taking risks and solving problems creatively” (p. 7,8). In this sense of the quote, I consider essential a comprehensive training that allows me as artist, to have tools that strengthen my research and creation processes that can replicated in the future, understanding that artistic training requires permanent work. In addition, this is developed as a team exchanging knowledge and experiences, where taking risks is part of the approach to an artistic project. For me the dance in the interpretation musical and dramatic is a fundamental communicative fact to be able to transmit feelings and visual and auditory emotions. |
| format | Trabajo de grado (Pregrado y/o Especialización) |
| id | repositorio.uan.edu.co-123456789-6637 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2022 |
| publisher | Universidad Antonio Nariño |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-66372024-10-09T22:51:09Z Aproximación al Teatro Musical Desde el Canto y la Danza Asprilla Rubiano, Stephannie Mejía Flórez, Claudia María Canto Danza Teatro musical Artes performáticas 780 Singer Dance Music performance Musical theatre The musical is a broad genre, which offers the artist multiple interpretive possibilities in where theater, song and dance are its main components, demanding from the artist a interdisciplinary training that expands their creative and interpretive capacities. This stimulates my need from the song, investigate this genre and delve into the interrelation of the disciplines that according to this apparently unknown genre and with little presence on stage and national repertoires. Almazán (2015) tells us “musical theater allows the artist to cultivate values, attitudes and habits linked to coexistence and teamwork, as well as to the processes that it entails taking risks and solving problems creatively” (p. 7,8). In this sense of the quote, I consider essential a comprehensive training that allows me as artist, to have tools that strengthen my research and creation processes that can replicated in the future, understanding that artistic training requires permanent work. In addition, this is developed as a team exchanging knowledge and experiences, where taking risks is part of the approach to an artistic project. For me the dance in the interpretation musical and dramatic is a fundamental communicative fact to be able to transmit feelings and visual and auditory emotions. El musical es un género amplio, que ofrece al artista múltiples posibilidades interpretativas en donde el teatro, el canto y la danza son sus componentes principales, exigiéndole al artista una formación interdisciplinar que amplíe sus capacidades creativas e interpretativas. Esto estimula mi necesidad desde el canto, investigar sobre este género y profundizar en la interrelación de las disciplinas que conforman este género aparentemente desconocido y con poca presencia en los escenarios y repertorios nacionales. Almazán (2015) nos dice “el teatro musical permite al artista cultivar valores, actitudes y hábitos vinculados a la convivencia y trabajo en equipo, como también a los procesos que conlleva la asunción de riesgos y la resolución de problemas creativamente” (p. 7,8). En este sentido de la cita, considero fundamental una formación integral que me permita como artista, contar con herramientas que fortalezcan mis procesos de investigación y creación que puedan en un futuro replicarse, entendiendo que la formación artística requiere un trabajo permanente. Además, este se desarrolla en equipo generando intercambio de saberes y experiencias, en donde arriesgarse hace parte del abordaje de un proyecto artístico. Para mí la danza en la interpretación musical y dramática es un hecho comunicativo fundamental para poder transmitir sentimientos y emociones de forma visual y auditiva. Maestro(a) en Música Pregrado Presencial Investigación 2022-05-23T22:53:09Z 2022-05-23T22:53:09Z 2021-12-02 Trabajo de grado (Pregrado y/o Especialización) info:eu-repo/semantics/acceptedVersion http://purl.org/coar/resource_type/c_7a1f http://purl.org/coar/version/c_970fb48d4fbd8a85 http://repositorio.uan.edu.co/handle/123456789/6637 Almazán Esteve Vanessa. (Ed.). (2015, julio). La compañía de teatro musical: Metodología interdisciplinar. https://reunir.unir.net/bitstream/handle/123456789/3395/ALMAZAN%20ESTEVE%2C% 20VANESSA.pdf?sequence=1&isAllowed=y Bean, A. (1996). Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy (1.a ed., Vol. 1). Wesleyan University Press. Stanley, D. (1931). The science of voice. Journal of the Franklin Institute, 211(4), 405– 455. https://doi.org/10.1016/s0016-0032(31)90646-7 Deardorff, A., Florance, V., VanBiervliet, A., & Schutte, H. K. (1993–2016). Assessing the National Library of Medicine’s Informationist Awards. Journal of eScience Librarianship, 5(1), e1095. https://doi.org/10.7191/jeslib.2016.1095 Gómez Jiménez, L. (2019, 5 julio). Hacia un «Broadway» criollo. La Revista. https://www.larepublica.co/analisis/leonardo-gomez-jimenez-2532014/hacia-unbroadway-criollo-2881437 Kenrick, J. (2008). Musical Theatre: A history. Van Haren Publishing. Lozano Rendón, J. C. (2007). Teoría e investigación de la comunicación en masas (2.a ed.). Pearson Education. Bestebreurtje, M. E., & Schutte, H. K. (2000). Resonance strategies for the belting style: Results of a single female subject study. Journal of Voice, 14(2), 194–204. https://doi.org/10.1016/s0892-1997(00)80027-2 DeLeo LeBorgne, W., Lee, L., Stemple, J. C., & Bush, H. (2015). Perceptual Findings on the Broadway Belt Voice. Journal of Voice, 24(6), 678–689. https://doi.org/10.1016/j.jvoice.2009.02.004 Miles, B., & Hollien, H. (1990). Whither belting? Journal of Voice, 4(1), 64–70. https://doi.org/10.1016/s0892-1997(05)80083-9 instname:Universidad Antonio Nariño reponame:Repositorio Institucional UAN repourl:https://repositorio.uan.edu.co/ spa Acceso abierto Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 application/pdf application/pdf application/pdf Universidad Antonio Nariño Música Facultad de Artes Bogotá - Circunvalar |
| spellingShingle | Canto Danza Teatro musical Artes performáticas 780 Singer Dance Music performance Musical theatre Asprilla Rubiano, Stephannie Aproximación al Teatro Musical Desde el Canto y la Danza |
| title | Aproximación al Teatro Musical Desde el Canto y la Danza |
| title_full | Aproximación al Teatro Musical Desde el Canto y la Danza |
| title_fullStr | Aproximación al Teatro Musical Desde el Canto y la Danza |
| title_full_unstemmed | Aproximación al Teatro Musical Desde el Canto y la Danza |
| title_short | Aproximación al Teatro Musical Desde el Canto y la Danza |
| title_sort | aproximacion al teatro musical desde el canto y la danza |
| topic | Canto Danza Teatro musical Artes performáticas 780 Singer Dance Music performance Musical theatre |
| url | http://repositorio.uan.edu.co/handle/123456789/6637 |
| work_keys_str_mv | AT asprillarubianostephannie aproximacionalteatromusicaldesdeelcantoyladanza |
