El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...
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| Format: | Artículo revisado por pares |
| Language: | spa |
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Universidad Antonio Nariño
2021
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| Online Access: | http://revistas.uan.edu.co/index.php/nodo/article/view/85 http://repositorio.uan.edu.co/handle/123456789/5565 |
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| author | Chacón-Cervera, Juan Camilo Cuesta, Oscar |
| author_facet | Chacón-Cervera, Juan Camilo Cuesta, Oscar |
| author_sort | Chacón-Cervera, Juan Camilo |
| collection | DSpace |
| description | The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. |
| format | Artículo revisado por pares |
| id | repositorio.uan.edu.co-123456789-5565 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2021 |
| publisher | Universidad Antonio Nariño |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-55652024-10-09T22:39:00Z El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota El grafiti como expresión artística que construye lo político: pluralidad de mundos y percepciones. Una mirada en Bogotá Chacón-Cervera, Juan Camilo Cuesta, Oscar Art politics education colonialism socialization memory Arte lo político educación colonialismo socialización memoria The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. El artículo reflexiona sobre la posibilidad del arte como espacio de interacción, creación y trasformación de mundos donde lo político es un eje fundamental en la constitución de subjetividades. Para ello, se analiza el arte como escenario convergente de mundos, perspectivas y cosmovisiones. En este marco, se observará al grafiti como expresión de lo político, especialmente, como una perspectiva que rescata saberes culturales propios desde la puesta de creaciones artísticas en el espacio público de Bogotá. Finalmente, se observan las posibilidades de socialización y edificación de memoria de las expresiones artísticas. 2021-11-10T01:00:05Z 2021-11-10T01:00:05Z 2013-06-14 Artículo revisado por pares info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_2df8fbb1 info:eu-repo/semantics/article http://purl.org/coar/version/c_970fb48d4fbd8a85 http://revistas.uan.edu.co/index.php/nodo/article/view/85 http://repositorio.uan.edu.co/handle/123456789/5565 spa http://revistas.uan.edu.co/index.php/nodo/article/view/85/67 Acceso abierto Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 application/pdf Universidad Antonio Nariño 2346-092X 1909-3888 REVISTA NODO; Vol. 7 Núm. 14 (2013); 65 - 76 |
| spellingShingle | Art politics education colonialism socialization memory Arte lo político educación colonialismo socialización memoria Chacón-Cervera, Juan Camilo Cuesta, Oscar El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title | El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_full | El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_fullStr | El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_full_unstemmed | El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_short | El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_sort | el graffiti as an art form and the construction of politics multiple realms and perceptions an overview of bogota |
| topic | Art politics education colonialism socialization memory Arte lo político educación colonialismo socialización memoria |
| url | http://revistas.uan.edu.co/index.php/nodo/article/view/85 http://repositorio.uan.edu.co/handle/123456789/5565 |
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