Rulfo photographer, more than a personal universe
To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. However, there is another area in Rulfo’s work where the aesthetics of photography com...
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UNIVERSIDAD ANTONIO NARIÑO
2022
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| Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/1445 https://repositorio.uan.edu.co/handle/123456789/10710 |
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| author | De Luna, Andrés |
| author_facet | De Luna, Andrés |
| author_sort | De Luna, Andrés |
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| description | To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. However, there is another area in Rulfo’s work where the aesthetics of photography come to the fore. Despite his artistic quality, he considered himself an amateur photographer; he never wanted to share credits with the great masters of that time in México, such as Lola or Manuel Álvarez Bravo, Nacho López or Kati Horna. Locating his images together with his literature gives us an enriched vision of Rulfo. In this space, it is about showing a Rulfo photographer who expresses himself in images that are at the height of his books. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-10710 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2022 |
| publisher | UNIVERSIDAD ANTONIO NARIÑO |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-107102024-10-14T03:46:55Z Rulfo photographer, more than a personal universe Rulfo fotógrafo, más que un universo personal De Luna, Andrés fotografía indigenismo realidad y ficción universo personal literatura fotografía México Juan Rulfo photography indigenism reality and fiction personal universe To speak of Juan Rulfo is to exalt a literary figure, whose fame crossed borders with only two books, Pedro Páramo and El llano en llamas. In these volumes the national aspect appeared as an obligatory reference. However, there is another area in Rulfo’s work where the aesthetics of photography come to the fore. Despite his artistic quality, he considered himself an amateur photographer; he never wanted to share credits with the great masters of that time in México, such as Lola or Manuel Álvarez Bravo, Nacho López or Kati Horna. Locating his images together with his literature gives us an enriched vision of Rulfo. In this space, it is about showing a Rulfo photographer who expresses himself in images that are at the height of his books. Hablar del escritor mexicano Juan Rulfo es exaltar una figura literaria cuya fama rebasó fronteras con sólo dos libros: Pedro Páramo y El llano en llamas. En estos volúmenes aparecía lo nacional como una referencia obligada. Sin embargo, hay otra zona en la obra de Rulfo en la que la estética de la fotografía aparece en primer plano. A pesar de su calidad artística, él se consideraba un fotógrafo aficionado; nunca quiso compartir créditos con los grandes maestros de aquel tiempo mexicano, como Lola o Manuel Álvarez Bravo, Nacho López o Kati Horna. Ubicar sus imágenes junto con su literatura nos da una visión enriquecida de Rulfo. En este espacio se mostrará a un Rulfo fotógrafo que se expresa en imágenes que están a la altura de sus libros. 2022-10-17 2024-10-10T02:31:56Z 2024-10-10T02:31:56Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/1445 10.54104/nodo.v17n33.1445 https://repositorio.uan.edu.co/handle/123456789/10710 spa https://revistas.uan.edu.co/index.php/nodo/article/view/1445/1104 Derechos de autor 2022 Universidad Antonio Nariño https://creativecommons.org/licenses/by-nd/4.0/legalcode http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 55-68 2346-092X 1909-3888 10.54104/nodo.v17n33 |
| spellingShingle | fotografía indigenismo realidad y ficción universo personal literatura fotografía México Juan Rulfo photography indigenism reality and fiction personal universe De Luna, Andrés Rulfo photographer, more than a personal universe |
| title | Rulfo photographer, more than a personal universe |
| title_full | Rulfo photographer, more than a personal universe |
| title_fullStr | Rulfo photographer, more than a personal universe |
| title_full_unstemmed | Rulfo photographer, more than a personal universe |
| title_short | Rulfo photographer, more than a personal universe |
| title_sort | rulfo photographer more than a personal universe |
| topic | fotografía indigenismo realidad y ficción universo personal literatura fotografía México Juan Rulfo photography indigenism reality and fiction personal universe |
| url | https://revistas.uan.edu.co/index.php/nodo/article/view/1445 https://repositorio.uan.edu.co/handle/123456789/10710 |
| work_keys_str_mv | AT delunaandres rulfophotographermorethanapersonaluniverse AT delunaandres rulfofotografomasqueununiversopersonal |
