Decolonial aesthetics and artivism
Based on the concept of coloniality, the notion of decoloniality is explained in relation to aesthetics understood as epistemological, critical, and political reflection. This relationship will allow us to elucidate the purposes of a decolonial aesthetics, which in this article will have art as t...
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UNIVERSIDAD ANTONIO NARIÑO
2022
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| Acceso en línea: | https://revistas.uan.edu.co/index.php/nodo/article/view/1443 https://repositorio.uan.edu.co/handle/123456789/10708 |
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| author | Garzón-Rodríguez, Carlos Andrés |
| author_facet | Garzón-Rodríguez, Carlos Andrés |
| author_sort | Garzón-Rodríguez, Carlos Andrés |
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| description | Based on the concept of coloniality, the notion of decoloniality is explained in relation to aesthetics understood as epistemological, critical, and political reflection. This relationship will allow us to elucidate the purposes of a decolonial aesthetics, which in this article will have art as the focus of analysis. It will be shown how this aesthetic approach allows art to move towards decolonial artivism, that is, towards expressive forms of meaning configuration that give rise to actions of resistance and creation against colonial systems of patriarchal and oppressive representation. After proposing that aesthetics can enrich and, at the same time, be enriched by expressions of decolonial artivism, it is shown how some works by Ana Mendieta (Cuba), Shirin Neshar (Iran) and Andrés Sierra (Colombia) invite us to think about that mutual enrichment. Finally, we refer to the exercise of collective creation called “collaborative digital cartographies” and show how this exercise enhances forms of decolonial artivism, even among those of us who are not artists. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-10708 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2022 |
| publisher | UNIVERSIDAD ANTONIO NARIÑO |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-107082024-10-14T03:47:19Z Decolonial aesthetics and artivism La estética descolonial y el artivismo Garzón-Rodríguez, Carlos Andrés artivismo cartografías digitales colaborativas colonialidad estética descolonial Ana Mendieta Shirin Neshar Andrés Sierra estética artivismo artivism collaborative digital cartographies coloniality decolonial aesthetic Ana Mendieta Shirin Neshar Andrés Sierra Based on the concept of coloniality, the notion of decoloniality is explained in relation to aesthetics understood as epistemological, critical, and political reflection. This relationship will allow us to elucidate the purposes of a decolonial aesthetics, which in this article will have art as the focus of analysis. It will be shown how this aesthetic approach allows art to move towards decolonial artivism, that is, towards expressive forms of meaning configuration that give rise to actions of resistance and creation against colonial systems of patriarchal and oppressive representation. After proposing that aesthetics can enrich and, at the same time, be enriched by expressions of decolonial artivism, it is shown how some works by Ana Mendieta (Cuba), Shirin Neshar (Iran) and Andrés Sierra (Colombia) invite us to think about that mutual enrichment. Finally, we refer to the exercise of collective creation called “collaborative digital cartographies” and show how this exercise enhances forms of decolonial artivism, even among those of us who are not artists. A partir del concepto de colonialidad se explica la noción de descolonialidad en relación con la estética entendida como reflexión epistemológica, crítica y política. Esta relación permitirá dilucidar los propósitos de una estética descolonial, que en este artículo tendrá al arte como foco de análisis. Se mostrará cómo esta aproximación estética le permite al arte transitar hacia el artivismo descolonial, esto es, hacia formas expresivas de configuración de sentido que den lugar a acciones de resistencia y creación contra los sistemas coloniales de representación patriarcales y opresivos. Luego de proponer que la estética puede enriquecer y, a la vez, ser enriquecida por expresiones propias del artivismo descolonial, se muestra cómo algunas obras de Ana Mendieta (Cuba), Shirin Neshar (Irán) y Andrés Sierra (Colombia) nos invitan a pensar en aquel enriquecimiento mutuo. Finalmente, se alude al ejercicio de creación colectiva denominado “cartografías digitales colaborativas” y se muestra cómo este ejercicio potencia formas de artivismo descolonial, incluso entre quienes no somos artistas. 2022-10-17 2024-10-10T02:31:54Z 2024-10-10T02:31:54Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/1443 10.54104/nodo.v17n33.1443 https://repositorio.uan.edu.co/handle/123456789/10708 spa https://revistas.uan.edu.co/index.php/nodo/article/view/1443/1131 Derechos de autor 2022 Universidad Antonio Nariño https://creativecommons.org/licenses/by-nd/4.0/legalcode http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 21-30 2346-092X 1909-3888 10.54104/nodo.v17n33 |
| spellingShingle | artivismo cartografías digitales colaborativas colonialidad estética descolonial Ana Mendieta Shirin Neshar Andrés Sierra estética artivismo artivism collaborative digital cartographies coloniality decolonial aesthetic Ana Mendieta Shirin Neshar Andrés Sierra Garzón-Rodríguez, Carlos Andrés Decolonial aesthetics and artivism |
| title | Decolonial aesthetics and artivism |
| title_full | Decolonial aesthetics and artivism |
| title_fullStr | Decolonial aesthetics and artivism |
| title_full_unstemmed | Decolonial aesthetics and artivism |
| title_short | Decolonial aesthetics and artivism |
| title_sort | decolonial aesthetics and artivism |
| topic | artivismo cartografías digitales colaborativas colonialidad estética descolonial Ana Mendieta Shirin Neshar Andrés Sierra estética artivismo artivism collaborative digital cartographies coloniality decolonial aesthetic Ana Mendieta Shirin Neshar Andrés Sierra |
| url | https://revistas.uan.edu.co/index.php/nodo/article/view/1443 https://repositorio.uan.edu.co/handle/123456789/10708 |
| work_keys_str_mv | AT garzonrodriguezcarlosandres decolonialaestheticsandartivism AT garzonrodriguezcarlosandres laesteticadescolonialyelartivismo |
