José Luis Pardo’s notion of space and rethinking aesthetic’s subject

In this article we explore the notion of Space in José Luis Pardo’s aesthetics. With this purpose we depart from two of his main books where he explains this concept: Sobre los espacios. Pintar, escribir, pensar and Las formas de la exterioridad. In his work we understand the rethinking of aesthetic...

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Autores principales: Builes Roldán, Isabella, Montoya Santamaría, Jorge William
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Publicado: UNIVERSIDAD ANTONIO NARIÑO 2022
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Acceso en línea:https://revistas.uan.edu.co/index.php/nodo/article/view/1371
https://repositorio.uan.edu.co/handle/123456789/10705
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author Builes Roldán, Isabella
Montoya Santamaría, Jorge William
author_facet Builes Roldán, Isabella
Montoya Santamaría, Jorge William
author_sort Builes Roldán, Isabella
collection DSpace
description In this article we explore the notion of Space in José Luis Pardo’s aesthetics. With this purpose we depart from two of his main books where he explains this concept: Sobre los espacios. Pintar, escribir, pensar and Las formas de la exterioridad. In his work we understand the rethinking of aesthetics’ subject from beauty to sensibility. He answers of how we become sensitive beings by means of habit. His approach is non-subjective or pre-subjective, in terms of his attention to the world itself before subjectivity. The world becomes and expresses itself (even aesthetically). After this, we articulate the notion of space with Pardo’s conception of the city. The main thesis we propose is that the notion of space is crucial to think the redefinition of aesthetics’ subject, to no longer study beauty but to study sensitivity, departing from a non-anthropocentric perspective in order to explain how individuals become through habits, and afterwards they shape their own environment into an inhabitable territory.
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spelling repositorio.uan.edu.co-123456789-107052024-10-14T03:46:07Z José Luis Pardo’s notion of space and rethinking aesthetic’s subject El espacio en José Luis Pardo y la redefinición del objeto de la estética Builes Roldán, Isabella Montoya Santamaría, Jorge William ciudad espacio estetogramas imagen tiempo city space stethogram image time In this article we explore the notion of Space in José Luis Pardo’s aesthetics. With this purpose we depart from two of his main books where he explains this concept: Sobre los espacios. Pintar, escribir, pensar and Las formas de la exterioridad. In his work we understand the rethinking of aesthetics’ subject from beauty to sensibility. He answers of how we become sensitive beings by means of habit. His approach is non-subjective or pre-subjective, in terms of his attention to the world itself before subjectivity. The world becomes and expresses itself (even aesthetically). After this, we articulate the notion of space with Pardo’s conception of the city. The main thesis we propose is that the notion of space is crucial to think the redefinition of aesthetics’ subject, to no longer study beauty but to study sensitivity, departing from a non-anthropocentric perspective in order to explain how individuals become through habits, and afterwards they shape their own environment into an inhabitable territory. En el presente artículo desarrollamos la noción de espacio en la propuesta estética de José Luis Pardo. Para ello nos basamos en dos de sus textos principales en donde plantea dicho concepto: Sobre los espacios. Pintar, escribir, pensar y Las formas de la exterioridad. Allí encontramos que Pardo propone una redefinición del objeto de la estética desde lo bello hacia lo sensible, preguntándose cómo devenimos sensibles por me­dio del hábito. Su propuesta es asubjetiva o presubjetiva, es decir, tiende a poner la atención sobre el mundo antes que sobre el sujeto, puesto que el mundo mismo se individúa, posee formas de expresión (estética). La tesis principal que proponemos consiste en que el espacio es una noción fundamental para pensar una redefinición del objeto de la estética. Ya no se estudia lo bello sino lo sensible, y se parte de una perspectiva no antropocéntrica para explicar cómo los individuos surgen a partir de la sensibilidad y del hábito, y posteriormente conforman su propio territorio haciéndolo a su vez habitable. 2022-11-02 2024-10-10T02:31:47Z 2024-10-10T02:31:47Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/1371 10.54104/nodo.v17n33.1371 https://repositorio.uan.edu.co/handle/123456789/10705 spa https://revistas.uan.edu.co/index.php/nodo/article/view/1371/1128 Derechos de autor 2022 Isabella Builes Roldán, Jorge William Montoya Santamaría https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 86-95 2346-092X 1909-3888 10.54104/nodo.v17n33
spellingShingle ciudad
espacio
estetogramas
imagen
tiempo
city
space
stethogram
image
time
Builes Roldán, Isabella
Montoya Santamaría, Jorge William
José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title_full José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title_fullStr José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title_full_unstemmed José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title_short José Luis Pardo’s notion of space and rethinking aesthetic’s subject
title_sort jose luis pardo s notion of space and rethinking aesthetic s subject
topic ciudad
espacio
estetogramas
imagen
tiempo
city
space
stethogram
image
time
url https://revistas.uan.edu.co/index.php/nodo/article/view/1371
https://repositorio.uan.edu.co/handle/123456789/10705
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AT montoyasantamariajorgewilliam joseluispardosnotionofspaceandrethinkingaestheticssubject
AT builesroldanisabella elespacioenjoseluispardoylaredefiniciondelobjetodelaestetica
AT montoyasantamariajorgewilliam elespacioenjoseluispardoylaredefiniciondelobjetodelaestetica
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