Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo.
This article reflects on the configuration of the category of "perversion" not as an intrinsic quality, but as a sociocultural and historical mechanism intended to delimit the boundaries between the normative and the forbidden. Through an interdisciplinary review that encompasse...
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Universidad Antonio Nariño
2026
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| Online Access: | https://revistas.uan.edu.co/index.php/vozavos/article/view/2479 |
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| author | Sorge Radovani, Lavinia Spinel Luna, Julio |
| author_facet | Sorge Radovani, Lavinia Spinel Luna, Julio |
| author_sort | Sorge Radovani, Lavinia |
| collection | OJS |
| description |
This article reflects on the configuration of the category of "perversion" not as an intrinsic quality, but as a sociocultural and historical mechanism intended to delimit the boundaries between the normative and the forbidden. Through an interdisciplinary review that encompasses anthropology, sociology, and psychoanalysis, he examines how what is called perverse acquires a symbolic power that becomes morbid: a collective fascination and an insatiable curiosity for the transgressor.
This research is central to the aesthetic experience of radio dramaturgy, "Perverse stories - morbid ears". This work proposes a shift from ocularcentrism - the hegemony of gaze in the Western tradition - to purely auditory immersion. Sound theater is here constituted as a political and pedagogical device that invites the viewer to confront the morally ambiguous. |
| format | Digital |
| id | revistas.uan.edu.co-article-2479 |
| institution | Revista VOZ A VOS |
| language | spa |
| publishDate | 2026 |
| publisher | Universidad Antonio Nariño |
| record_format | ojs |
| spelling | revistas.uan.edu.co-article-24792026-06-10T02:32:15Z The politically incorrect: The morbid art of auditory perversion. Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. Sorge Radovani, Lavinia Spinel Luna, Julio Perversión Morbo Dramaturgia radial Escucha activa Transgresión Pervertion Disease Radial dramaturgy Active listening Transgression This article reflects on the configuration of the category of "perversion" not as an intrinsic quality, but as a sociocultural and historical mechanism intended to delimit the boundaries between the normative and the forbidden. Through an interdisciplinary review that encompasses anthropology, sociology, and psychoanalysis, he examines how what is called perverse acquires a symbolic power that becomes morbid: a collective fascination and an insatiable curiosity for the transgressor. This research is central to the aesthetic experience of radio dramaturgy, "Perverse stories - morbid ears". This work proposes a shift from ocularcentrism - the hegemony of gaze in the Western tradition - to purely auditory immersion. Sound theater is here constituted as a political and pedagogical device that invites the viewer to confront the morally ambiguous. Este artículo reflexiona sobre la configuración de la categoría de perversión no como una cualidad intrínseca, sino como un mecanismo sociocultural e histórico destinado a delimitar las fronteras entre lo normativo y lo prohibido. A través de una revisión interdisciplinar que abarca la antropología, la sociología y el psicoanálisis, se examina cómo lo designado como perverso adquiere una potencia simbólica que transmuta en morbo: una fascinación colectiva y curiosidad insaciable por lo transgresor. Esta investigación se central en la experiencia estética de la dramaturgia radial "Historias perversas – oídos morbosos". Esta obra propone un desplazamiento del ocularcentrismo —la hegemonía de la mirada en la tradición occidental— hacia una inmersión puramente auditiva. El teatro sonoro se constituye aquí como un dispositivo político y pedagógico que invita al espectador a confrontar lo moralmente ambiguo. Universidad Antonio Nariño 2026-06-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Reflexiones sobre las artes escénicas application/pdf https://revistas.uan.edu.co/index.php/vozavos/article/view/2479 The Voz a Vos Bulletin ; Vol. 11 No. 21 (2026): Interdisciplinarity and theatre; 5 - 19 BOLETÍN VOZ A VOS; Vol. 11 Núm. 21 (2026): La interdisciplinariedad y el teatro; 5 - 19 10.54104/vozavos.v11n21 spa https://revistas.uan.edu.co/index.php/vozavos/article/view/2479/1830 https://revistas.uan.edu.co/index.php/vozavos/article/view/2479/1831 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| spellingShingle | Perversión Morbo Dramaturgia radial Escucha activa Transgresión Pervertion Disease Radial dramaturgy Active listening Transgression Sorge Radovani, Lavinia Spinel Luna, Julio Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title | Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title_alt | The politically incorrect: The morbid art of auditory perversion. |
| title_full | Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title_fullStr | Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title_full_unstemmed | Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title_short | Lo políticamente incorrecto: El arte morboso del pervertimiento auditivo. |
| title_sort | lo politicamente incorrecto el arte morboso del pervertimiento auditivo |
| topic | Perversión Morbo Dramaturgia radial Escucha activa Transgresión Pervertion Disease Radial dramaturgy Active listening Transgression |
| topic_facet | Perversión Morbo Dramaturgia radial Escucha activa Transgresión Pervertion Disease Radial dramaturgy Active listening Transgression |
| url | https://revistas.uan.edu.co/index.php/vozavos/article/view/2479 |
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