Feral. Prácticas de investigación-creación

This essay introduces an operational lexicon and a methodological procedure for approaching research-creation as situated knowledge production. Grounded in an autoethnographic point of departure shaped by violence in Mexico, it defines apparatus (perception/archive/activation), the feral, and feral...

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Bibliographic Details
Main Author:	Sánchez Cardona, Luz María
Format:	Digital
Language:	spa
Published:	UNIVERSIDAD ANTONIO NARIÑO 2026
Subjects:	aparato autoetnografía feral investigación-creación S-BTAR arte apparatus autoethnography research-creation art aparelho autoetnografia pesquisa-criação
Online Access:	https://revistas.uan.edu.co/index.php/nodo/article/view/2462
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Summary:	This essay introduces an operational lexicon and a methodological procedure for approaching research-creation as situated knowledge production. Grounded in an autoethnographic point of departure shaped by violence in Mexico, it defines apparatus (perception/archive/activation), the feral, and feral epistemologies, alongside two positional axes: locus of enunciation and epistemic displacement. It frames the apparatus as a relational structuring principle and the feral as an orientation beyond domesticated frameworks of intelligibility, and proposes Sensing-Based Transdisciplinary Artistic Research (S-BTAR) as a procedure that links conceptual tools to creative decisions. The argument is evidenced through case studies including 2487, detritus, power · room, and Vis.[un]necessary force_ 1.01.