Hacia un radioarte expandido
In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the...
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UNIVERSIDAD ANTONIO NARIÑO
2022
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Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/1366 |
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author | Rocha Iturbide, Manuel |
author_facet | Rocha Iturbide, Manuel |
author_sort | Rocha Iturbide, Manuel |
collection | OJS |
description | In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and musicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.
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format | Digital |
id | revistas.uan.edu.co-article-1366 |
institution | Revista NODO |
language | spa |
publishDate | 2022 |
publisher | UNIVERSIDAD ANTONIO NARIÑO |
record_format | ojs |
spelling | revistas.uan.edu.co-article-13662024-05-13T18:34:31Z Towards a new expanded radioart Hacia un radioarte expandido Rocha Iturbide, Manuel arte sonoro intermedia música electroacústica radioarte soundart intermedia electroacoustic music radioart In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and musicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio. En este ensayo propongo abrir el concepto de radioarte para enriquecer el género y acercarlo más a los distintos estilos estéticos de la música electroacústica y del arte sonoro, ya que las instituciones radiofónicas y sus protagonistas se han ensimismado en una escueta y limitada definición de géneros del arte radial, que ha limitado las posibilidades expresivas de este interesante espacio eléctrico. Es necesario hacer un análisis comparativo de los lenguajes de estos tres campos (radioarte, arte sonoro y música electroacústica) para encontrar sus convergencias. A partir de ahí, intento que los radioartistas se acerquen a los estilos estéticos de la electroacústica y del arte conceptual, y que los músicos y artistas de otras disciplinas se aproximen al radioarte. Finalmente, hago un análisis histórico crítico del papel de las instituciones radiofónicas y culturales de México en un contexto internacional, reconociendo su papel protagonista en Latinoamérica, y proponiendo un apoyo mayor en la creación y difusión de obras sonoras para la radio. UNIVERSIDAD ANTONIO NARIÑO 2022-10-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uan.edu.co/index.php/nodo/article/view/1366 10.54104/nodo.v17n33.1366 REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 45-54 2346-092X 1909-3888 10.54104/nodo.v17n33 spa https://revistas.uan.edu.co/index.php/nodo/article/view/1366/1129 Derechos de autor 2022 Manuel Rocha Iturbide https://creativecommons.org/licenses/by-nc-sa/4.0 |
spellingShingle | arte sonoro intermedia música electroacústica radioarte soundart intermedia electroacoustic music radioart Rocha Iturbide, Manuel Hacia un radioarte expandido |
title | Hacia un radioarte expandido |
title_alt | Towards a new expanded radioart |
title_full | Hacia un radioarte expandido |
title_fullStr | Hacia un radioarte expandido |
title_full_unstemmed | Hacia un radioarte expandido |
title_short | Hacia un radioarte expandido |
title_sort | hacia un radioarte expandido |
topic | arte sonoro intermedia música electroacústica radioarte soundart intermedia electroacoustic music radioart |
topic_facet | arte sonoro intermedia música electroacústica radioarte soundart intermedia electroacoustic music radioart |
url | https://revistas.uan.edu.co/index.php/nodo/article/view/1366 |
work_keys_str_mv | AT rochaiturbidemanuel towardsanewexpandedradioart AT rochaiturbidemanuel haciaunradioarteexpandido |