Maestro creador: En búsqueda de la nueva dramaturgia teatral.

  Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theat...

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Autor principal: GINEBROZA CONDE., DANIEL
Formato: Digital
Lenguaje:spa
Publicado: Universidad Antonio Nariño 2021
Acceso en línea:https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
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author GINEBROZA CONDE., DANIEL
author_facet GINEBROZA CONDE., DANIEL
author_sort GINEBROZA CONDE., DANIEL
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description   Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined.
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spelling revistas.uan.edu.co-article-12552021-12-23T05:32:51Z Creative professor: In search of the new theatrical dramaturgy. Maestro creador: En búsqueda de la nueva dramaturgia teatral. GINEBROZA CONDE., DANIEL   Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined. Desde el siglo pasado los reformadores teatrales se han preguntado cómo podían reforzar la experiencia teatral. Qué elementos eran imprescindibles para el acto teatral. Copeau estableció que el actor era el centro del trabajo teatral, pero a su vez siempre ansió para su teatro la aparición de un nuevo dramaturgo que puedira encumbrar el trabajo que realizó con los actores. Lo que no supo ver fue que ese dramaturgo que sintió que nunca apareció estaba mucho más cerca de él, de lo que jamás pudo imaginarse.     Universidad Antonio Nariño 2021-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Reflexiones sobre las artes escénicas application/pdf https://revistas.uan.edu.co/index.php/vozavos/article/view/1255 The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 34 - 46 BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 34 - 46 spa https://revistas.uan.edu.co/index.php/vozavos/article/view/1255/972 https://creativecommons.org/licenses/by-nc-sa/4.0
spellingShingle GINEBROZA CONDE., DANIEL
Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title_alt Creative professor: In search of the new theatrical dramaturgy.
title_full Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title_fullStr Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title_full_unstemmed Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title_short Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title_sort maestro creador en busqueda de la nueva dramaturgia teatral
url https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
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