Aprendiendo a danzar: el caso del colectivo coreográfico los danzantes del cerrillo
The fundamental reason of this work is to investigate the forms of transmission of the Knowledge as persistence of tradition in the popular festival. In this case, the studied tradition are the dance forms associated with traditional music within of the Black and White Carnival of Pasto, one of the...
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| Otros Autores: | |
| Formato: | Tesis y disertaciones (Maestría y/o Doctorado) |
| Lenguaje: | spa |
| Publicado: |
Universidad Antonio Nariño
2023
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| Materias: | |
| Acceso en línea: | http://repositorio.uan.edu.co/handle/123456789/8642 |
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| Sumario: | The fundamental reason of this work is to investigate the forms of transmission of the
Knowledge as persistence of tradition in the popular festival. In this case, the
studied tradition are the dance forms associated with traditional music within
of the Black and White Carnival of Pasto, one of the most emblematic popular festivals
of Colombia and – more concretely – the case of the staging that he did of them
the Choreographic Collective Los Danzantes del Cerrillo for the 2018 event. The object of
study was observed seeking to find the traits that can be assumed as
tradition and that still remain in the party within the particular categories of aesthetics
dance and its logical connection with music, but focusing in particular on the
how these characteristic features remain and are transmitted today
from a past that validates them as part of these manifestations |
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