El Aguinaldo Campesino como manifestación festiva, popular y tradicional en el municipio de Tuta Boyacá: estudio creativo en la cátedra de danzas andinas 2019-ll
This degree work called El Aguinaldo Campesino as a manifestation festive, popular and traditional in the municipality of Tuta, Boyacá: the Systematization of the process from the Chair of Andean Dances 2019-II and the EAPEAT to the final assembly, it is carried out as part of the requirements for t...
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| Format: | Trabajo de grado (Pregrado y/o Especialización) |
| Language: | spa |
| Published: |
Universidad Antonio Nariño
2022
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| Subjects: | |
| Online Access: | http://repositorio.uan.edu.co/handle/123456789/7141 |
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| Summary: | This degree work called El Aguinaldo Campesino as a manifestation
festive, popular and traditional in the municipality of Tuta, Boyacá: the
Systematization of the process from the Chair of Andean Dances 2019-II and the EAPEAT
to the final assembly, it is carried out as part of the requirements for the culmination of my
training process as a master artist of the Bachelor of Art Education with
Emphasis in Dance and Theater; their developments, contributions, scope, questions and projections
contribute to the strengthening of the Didactic Arts Research Group
Scenic, and is part of the line that bears the same name. In particular, it
It is part of the studies of the Tradition and Artistic Production sub-line.
As such, the systematization of the EAPEAT in the second half of 2019,
which supports significantly in terms of recovering, reflecting and
systematizes the process lived during the exit to this place, one of the elements that
make up the non-material culture, are its traditions, celebrations and festivals.
Memories that beyond the space of pastime, rest, play and rejoicing,
are some of the main manifestations of culture, it is defined as a
set of experiences that are forgotten from generation to generation. For other
On the other hand, customs are those social practices rooted in a community,
linked to everyday life, with habits that from being repeated so much have become
part of the local identity (Abadía, 1983; Romero, 2021)
According to (Fernández, 2007), popular festivals, an important segment of the
tradition of a people or territory, enclose an indivisible whole that starts from things
what people “believe (field planting practices, family traditions), do
(dance, music), he knows (illnesses, food), even the ones he counts
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(.personal experiences, riddles and rhymes)”
However, the work of these and other own cultural agents and
alien to the municipality of Tuta, many of these manifestations and traditions continue in
constant risk of disappearance, because the culture that is being implemented leads to
human being to move away from it; but the effort of some agents to have
long live this tradition (Aguinaldo peasant).
Yes, it is true that many of the traditions have been disappearing due to
to the new cycle of globalization and modernity that we are facing, in the face of the
cultural homogeneity.
According to (Pérez, 2021a), the relationship between the social and the cultural through
the understanding of the fact that the festival lives on and cannot be the object of censorship for
its realization. In order to preserve the patrimonial, the forms of
manifestation of the festive, taking advantage of socialization through the virtual, but without
modify dates, objects and places of celebration.
Finally, what was stated by (Jara, 2012) in his book "The Systematization of
Practical experiences and theory for other possible worlds”, the systematization of
experiences is a technique that allows to produce knowledge, analyze and reflect
about the particularities of a practice |
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