Nicografía
The realization of a visual plastic proposal that accounts for the formation academic that you have, faces many possibilities to those who want to take it to After all, it is in fact a recognition in a continuous evolution, where the productions or plastic exercises that in the academic field and wi...
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| Format: | Trabajo de grado (Pregrado y/o Especialización) |
| Language: | spa |
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Universidad Antonio Nariño
2022
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| Online Access: | http://repositorio.uan.edu.co/handle/123456789/6570 |
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| _version_ | 1812647383668883456 |
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| author | Arias Gil, Nicolas Camilo |
| author2 | Hinojosa Parra, Rita Paulina |
| author_facet | Hinojosa Parra, Rita Paulina Arias Gil, Nicolas Camilo |
| author_sort | Arias Gil, Nicolas Camilo |
| collection | DSpace |
| description | The realization of a visual plastic proposal that accounts for the formation academic that you have, faces many possibilities to those who want to take it to After all, it is in fact a recognition in a continuous evolution, where the productions or plastic exercises that in the academic field and within a study plan are have done, present difficulties on some occasions, or on the other hand acquire sense, in one way or another, learn to dominate the multiple activities to which being subjected to a plastic and visual artist implies facing situations adversaries, but if one is able to assume with attitude, dedication and why not, with the aptitude you have, will allow you to learn to carry out an activity that gives account and that implies professional fidelity. For the development of this project several ideas have been had, it has been racked by various concepts, speculations and doings, has been considered from the hyperreal, the pop, kitsch among others; from painting to installation; from random to the rational, in short, in this coming and going, there comes a time, in which, by way of self-recognition, it is decided to address material constructions that precede the academic, that is, we want to give meaning to a work that has already been several years ago, are some works in porcelain and polymer clay that they discover a particular aesthetic and give an account of what is seen and how it is. IT IS to pose and juxtapose in the elaboration in a creative and imaginary way the game itself fluently that has influenced speaking from childhood to the present presenting a narrative. |
| format | Trabajo de grado (Pregrado y/o Especialización) |
| id | repositorio.uan.edu.co-123456789-6570 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2022 |
| publisher | Universidad Antonio Nariño |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-65702024-10-09T22:51:56Z Nicografía Arias Gil, Nicolas Camilo Hinojosa Parra, Rita Paulina Vidal Rubiano, Rene Subjetividad Plasticidad Modelado 700 Subjectivity Plasticity Modeling The realization of a visual plastic proposal that accounts for the formation academic that you have, faces many possibilities to those who want to take it to After all, it is in fact a recognition in a continuous evolution, where the productions or plastic exercises that in the academic field and within a study plan are have done, present difficulties on some occasions, or on the other hand acquire sense, in one way or another, learn to dominate the multiple activities to which being subjected to a plastic and visual artist implies facing situations adversaries, but if one is able to assume with attitude, dedication and why not, with the aptitude you have, will allow you to learn to carry out an activity that gives account and that implies professional fidelity. For the development of this project several ideas have been had, it has been racked by various concepts, speculations and doings, has been considered from the hyperreal, the pop, kitsch among others; from painting to installation; from random to the rational, in short, in this coming and going, there comes a time, in which, by way of self-recognition, it is decided to address material constructions that precede the academic, that is, we want to give meaning to a work that has already been several years ago, are some works in porcelain and polymer clay that they discover a particular aesthetic and give an account of what is seen and how it is. IT IS to pose and juxtapose in the elaboration in a creative and imaginary way the game itself fluently that has influenced speaking from childhood to the present presenting a narrative. La realización de una propuesta plástico visual que da cuenta de la formación académica que se tiene, enfrenta a muchas posibilidades a quien la quiere llevar a cabo, es de hecho un reconocerse en un continuo devenir, en donde las producciones o ejercicios plásticos que en el ámbito académico y dentro de un plan de estudios se han realizado, plantea dificultades en algunas ocasiones, o por otra parte adquieren sentido, de alguna u otra manera, aprender a dominar las múltiples actividades a las que se ve sometido un artista plástico y visual implica enfrentarse a situaciones adversas, pero que si se es capaz de asumir con actitud , dedicación y por qué no, con la aptitud que se tiene, permitirá aprender a llevar a cabo una actividad que da cuenta y que implica fidelidad profesional. Para el desarrollo de este proyecto se han tenido varias ideas, se ha trasegado por varios conceptos, elucubraciones y haceres, se ha considerado desde lo hiperreal, el pop, lo kitsch entre otros; desde la pintura hasta la instalación; desde lo azaroso hasta lo racional, en fin en este ir y venir llega un momento, en el que a manera de auto-reconocimiento, se opta por abordar construcciones materiales que anteceden lo académico, es decir, se quiere dar sentido a un trabajo que se ha venido elaborando ya hace varios años, son unos trabajos en porcelanicron y arcilla polimérica que descubren una estética particular y dan cuenta de lo que se es y cómo se es. Es plantear y yuxtaponer en la elaboración de manera creativa e imaginaria el juego en sí de forma fluida que ha influido hablando desde la niñez hasta la actualidad estableciendo una narrativa. Maestro(a) en Artes Plásticas y Visuales Pregrado Distancia Proyecto 2022-05-19T00:15:09Z 2022-05-19T00:15:09Z 2021-06-30 Trabajo de grado (Pregrado y/o Especialización) info:eu-repo/semantics/acceptedVersion http://purl.org/coar/resource_type/c_7a1f http://purl.org/coar/version/c_970fb48d4fbd8a85 http://repositorio.uan.edu.co/handle/123456789/6570 Cárdenas, H (13 mayo de 2017). Einstein. https://www.elmundo.com/noticia/Einstein/352130 Contreras, L (3 Enero de 2020). Alvaro Barrios: resignificando el arte. Beatriz Gonzales. (s.f) En Wikipedia. Recuperado el 17 de Junio de 2020 https://es.wikipedia.org/wiki/Beatriz_González Imagen de https://bga.uniandes.edu.co/catalogo/ Craftingeek (2009). El interesante y divertido trabajo pop art de Nadin Ospina. https://craftingeek.me/2014/09/el-artista-que-pus-mickey-y-bart-en-esculturas-de-barro/ https://galeriaoscarroman.wordpress.com/2014/06/04/nadin-ospina-la-resignificacion-de-lo-popu lar/#jp-carousel-1089 Manchola, C (2020). Antes de morir quiero hacerle una escultura a Juan Manuel Santos: Emiro Garzon. https://www.lanacion.com.co/antes-de-morir-quiero-hacerle-una-escultura-a-juan-manuel-santos -emiro-garzon/ John Quintero Villar. (s.f) En wikipedia. Recuperado el 4 de Septiembre de 2020 de https://es.wikipedia.org/wiki/John_Quintero_Villar Yoo,A ( 28 de Febrero de 2012).Derritiendo a Superman el el Museo de Arte de Singapur. https://www.oddee.com/item_100100.aspx Lebrero, N (2014). Roy Lichtenstein, uno de los más grandes impulsores del Pop Art. ) https://moovemag.com/2014/11/roy-lichtenstein-uno-de-los-grandes-impulsores-del-pop-art/http s://www.muyinteresante.es/cultura/arte-cultura/fotos/9-obras-geniales-de-roy-lichtenstein/el-bes o Martin, J (2008).Michael Jackson and Bubbles de Jeff Koons. http://www.lacortedelreydelpop.com/mjandbubbles.htm Liliana Porter. (s.f) En wikipedia. recuperado el 29 de Mayo de 2020 de e https://es.wikipedia.org/wiki/Liliana_Porter instname:Universidad Antonio Nariño reponame:Repositorio Institucional UAN repourl:https://repositorio.uan.edu.co/ spa Acceso abierto Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 application/pdf application/pdf application/pdf Universidad Antonio Nariño Artes Plásticas y Visuales Facultad de Artes Bogotá - Circunvalar |
| spellingShingle | Subjetividad Plasticidad Modelado 700 Subjectivity Plasticity Modeling Arias Gil, Nicolas Camilo Nicografía |
| title | Nicografía |
| title_full | Nicografía |
| title_fullStr | Nicografía |
| title_full_unstemmed | Nicografía |
| title_short | Nicografía |
| title_sort | nicografia |
| topic | Subjetividad Plasticidad Modelado 700 Subjectivity Plasticity Modeling |
| url | http://repositorio.uan.edu.co/handle/123456789/6570 |
| work_keys_str_mv | AT ariasgilnicolascamilo nicografia |
