La Violence in Colombia: an artistic perspective

The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Hi...

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Main Author: Silva-Cañaveral, Sandra Johana
Format: Artículo revisado por pares
Language:spa
Published: Universidad Antonio Nariño 2021
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Online Access:http://revistas.uan.edu.co/index.php/nodo/article/view/75
http://repositorio.uan.edu.co/handle/123456789/5556
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author Silva-Cañaveral, Sandra Johana
author_facet Silva-Cañaveral, Sandra Johana
author_sort Silva-Cañaveral, Sandra Johana
collection DSpace
description The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.
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spelling repositorio.uan.edu.co-123456789-55562024-10-09T23:20:44Z La Violence in Colombia: an artistic perspective La violencia en Colombia: una perspectiva desde el arte Silva-Cañaveral, Sandra Johana Art and violence history and memory unmonumental art Arte y violencia historia y memoria contramonumento The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration. El artículo, producto de una investigación-creación, aborda la relación entre arte y violencia en Colombia. Se realiza una sucinta caracterización de tres períodos de la violencia delimitados por reconocidos historiadores; y se analiza el caso de la masacre de Trujillo, con base en los resultados obtenidos por el grupo de Memoria Histórica de la Comisión Nacional de Reparación y Reconciliación. Se expone un breviario de las obras más destacadas del arte colombiano que hacen referencia a la violencia, y se reflexiona en torno a la postura que el artista debe adoptar al abordar ese tema. Se presentan algunas de las obras artísticas que han surgido a partir de la masacre de Trujillo, así como de los ríos colombianos, por ser lugares en los que convergen la tragedia que surge de la violencia y la experiencia del duelo sin solución. Finalmente, se presenta la obra que surgió del proceso de investigación: Río, que articula el paisaje y el contramonumento como categorías para la exploración creativa. 2021-11-10T01:00:03Z 2021-11-10T01:00:03Z 2012-12-14 Artículo revisado por pares info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_2df8fbb1 info:eu-repo/semantics/article http://purl.org/coar/version/c_970fb48d4fbd8a85 http://revistas.uan.edu.co/index.php/nodo/article/view/75 http://repositorio.uan.edu.co/handle/123456789/5556 spa http://revistas.uan.edu.co/index.php/nodo/article/view/75/58 Acceso abierto Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 application/pdf Universidad Antonio Nariño 2346-092X 1909-3888 REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 56
spellingShingle Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
Silva-Cañaveral, Sandra Johana
La Violence in Colombia: an artistic perspective
title La Violence in Colombia: an artistic perspective
title_full La Violence in Colombia: an artistic perspective
title_fullStr La Violence in Colombia: an artistic perspective
title_full_unstemmed La Violence in Colombia: an artistic perspective
title_short La Violence in Colombia: an artistic perspective
title_sort la violence in colombia an artistic perspective
topic Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
url http://revistas.uan.edu.co/index.php/nodo/article/view/75
http://repositorio.uan.edu.co/handle/123456789/5556
work_keys_str_mv AT silvacanaveralsandrajohana laviolenceincolombiaanartisticperspective
AT silvacanaveralsandrajohana laviolenciaencolombiaunaperspectivadesdeelarte
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