Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández

The festivities, the theater and the stage area source of immense scenic wealth inMexico. The so-called festivitiespopular have been presented since the time ofthe Colony and later in MexicoIndependent, producing complexinteractions between native cultures,European cultures, culturesAfro-descendants...

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Main Author: González Navarro, Marcos
Format: info:eu-repo/semantics/article
Language:spa
Published: Universidad Antonio Nariño 2024
Online Access:https://revistas.uan.edu.co/index.php/vozavos/article/view/1953
https://repositorio.uan.edu.co/handle/123456789/11359
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author González Navarro, Marcos
author_facet González Navarro, Marcos
author_sort González Navarro, Marcos
collection DSpace
description The festivities, the theater and the stage area source of immense scenic wealth inMexico. The so-called festivitiespopular have been presented since the time ofthe Colony and later in MexicoIndependent, producing complexinteractions between native cultures,European cultures, culturesAfro-descendants in addition to thosecome from the cultural industry of the centuryXIX and XX century, resulting in adynamic cultural mix that conforms tothe heritage of the so-called Popular Art.The festive theater, the street scene, theMexican professional theater likeliving and moving traditionsadapt, mix, and transmute into oneenriched scene. When the oldritual is desacralized it tends to becometheater normally inclined to the genre ofthe farce, whose mechanisms can beinterpret and explain through theoryof dramatic genres of the playwright,Mexican teacher and theorist Luisa JosefinaHernández, with her study of farce,seeking to contribute to clarifying thesecharacteristics and operationthrough type or simple characters, toneholiday and replacement mechanism orsymbolic to produce catharsisfarsic.
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spelling repositorio.uan.edu.co-123456789-113592024-10-14T03:48:55Z Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández Relaciones entre el teatro festivo y la teoría de Géneros dramáticos de Luisa Josefina Hernández González Navarro, Marcos The festivities, the theater and the stage area source of immense scenic wealth inMexico. The so-called festivitiespopular have been presented since the time ofthe Colony and later in MexicoIndependent, producing complexinteractions between native cultures,European cultures, culturesAfro-descendants in addition to thosecome from the cultural industry of the centuryXIX and XX century, resulting in adynamic cultural mix that conforms tothe heritage of the so-called Popular Art.The festive theater, the street scene, theMexican professional theater likeliving and moving traditionsadapt, mix, and transmute into oneenriched scene. When the oldritual is desacralized it tends to becometheater normally inclined to the genre ofthe farce, whose mechanisms can beinterpret and explain through theoryof dramatic genres of the playwright,Mexican teacher and theorist Luisa JosefinaHernández, with her study of farce,seeking to contribute to clarifying thesecharacteristics and operationthrough type or simple characters, toneholiday and replacement mechanism orsymbolic to produce catharsisfarsic. Las festividades, el teatro y la escena sonuna fuente de inmensa riqueza escénica enMéxico. Las llamadas festividadespopulares se presentan desde la época dela Colonia y posteriormente en el MéxicoIndependiente, produciendo complejasinteracciones ent re las culturas originarias,culturas europeas, culturasafrodescendientes además de las queprovienen de la industria cultural del sigloXIX y siglo XX, dando como resultado undinámico mestizaje cultural que conformael patrimonio del llamado Arte popula r.El teatro festivo, la escena de calle, elteatro procesional mexicano comotradiciones vivas y en movimiento seadaptan, mezclan y transmutan en unaescena enriquecida. Cuando el antiguoritual se desacraliza tiende a tornarse enteatro normalmente inclinado al género dela farsa, cuyos mecanismos se puedeninterpretar y explicar a través de la teoríade géneros dramáticos de la dramaturga,maestra y teórica mexicana Luisa JosefinaHernández, con su estudio sobre la farsa,buscando contribuya a aclarar dich ascaracterísticas y su funcionamientomediante personajes tipo o simples, tonofestivo y mecanismo de sustitución osimbólico para producir así la catarsisfársica. 2024-06-20 2024-10-10T10:05:11Z 2024-10-10T10:05:11Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Reflexiones sobre las artes escénicas http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/vozavos/article/view/1953 https://repositorio.uan.edu.co/handle/123456789/11359 spa https://revistas.uan.edu.co/index.php/vozavos/article/view/1953/1487 https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf Universidad Antonio Nariño The Voz a Vos Bulletin ; Vol. 9 No. 17 (2024): Festive theater. Popular traditions and celebrations.; 24 - 34 BOLETÍN VOZ A VOS; Vol. 9 Núm. 17 (2024): Teatro festivo. Tradiciones y celebraciones populares. ; 24 - 34 10.54104/vozavos.v9n17
spellingShingle González Navarro, Marcos
Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title_full Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title_fullStr Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title_full_unstemmed Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title_short Relationships between festive theater and the theory of Dramatic Genres of Luisa Josefina Hernández
title_sort relationships between festive theater and the theory of dramatic genres of luisa josefina hernandez
url https://revistas.uan.edu.co/index.php/vozavos/article/view/1953
https://repositorio.uan.edu.co/handle/123456789/11359
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