The voice, the verse and Alicia.
In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal ex...
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Universidad Antonio Nariño
2024
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| Online Access: | https://revistas.uan.edu.co/index.php/vozavos/article/view/1950 https://repositorio.uan.edu.co/handle/123456789/11356 |
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| author | Gaitán Osorio, Luis Ricardo |
| author_facet | Gaitán Osorio, Luis Ricardo |
| author_sort | Gaitán Osorio, Luis Ricardo |
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| description | In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal expression through the creative interpretation of poetic texts, including bodywork in a consistent manner” and part of the thematic content states: “Creative interpretation (to be evaluated). Free verse: Analysis by ideas, Review of its sounds, Rhythm, Vocal exercises, The rest of the body in the poetic text; which implies a disadvantage for actors in training since they lack knowledge of Classical Baroque theater and its interpretation. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-11356 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2024 |
| publisher | Universidad Antonio Nariño |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-113562024-10-14T03:49:29Z The voice, the verse and Alicia. La voz, el verso y Alicia. Gaitán Osorio, Luis Ricardo In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal expression through the creative interpretation of poetic texts, including bodywork in a consistent manner” and part of the thematic content states: “Creative interpretation (to be evaluated). Free verse: Analysis by ideas, Review of its sounds, Rhythm, Vocal exercises, The rest of the body in the poetic text; which implies a disadvantage for actors in training since they lack knowledge of Classical Baroque theater and its interpretation. En el programa académico de Licenciatura en Artes Escénicas; especialidad Actuación y Danza Contemporánea (formación de actores y bailarines) de ocho semestres, se imparten solo dos semestres la asignatura Voz I y Voz II, el programa de la materia uno, tiene como objetivos específicos: “Manejará su expresión vocal a través de la interpretación creativa de textos poéticos, incluyendo en ello trabajo corporal de manera consecuente” y parte del contenido temático señala: “Interpretación creativa (a evaluar). El verso libre: Análisis por ideas, Revisión de sus sonidos, Ritmo, Ejercicios vocales, El resto del cuerpo en el texto poético; lo cual implica una desventaja para los actores en formación en tanto que carecen del conocimiento del teatro Clásico del barroco y su interpretación. 2024-06-20 2024-10-10T10:05:09Z 2024-10-10T10:05:09Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Reflexiones sobre las artes escénicas http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/vozavos/article/view/1950 https://repositorio.uan.edu.co/handle/123456789/11356 spa https://revistas.uan.edu.co/index.php/vozavos/article/view/1950/1483 Derechos de autor 2024 Luis Ricardo Gaitán Osorio https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf Universidad Antonio Nariño The Voz a Vos Bulletin ; Vol. 9 No. 17 (2024): Festive theater. Popular traditions and celebrations.; 5-8 BOLETÍN VOZ A VOS; Vol. 9 Núm. 17 (2024): Teatro festivo. Tradiciones y celebraciones populares. ; 5-8 10.54104/vozavos.v9n17 |
| spellingShingle | Gaitán Osorio, Luis Ricardo The voice, the verse and Alicia. |
| title | The voice, the verse and Alicia. |
| title_full | The voice, the verse and Alicia. |
| title_fullStr | The voice, the verse and Alicia. |
| title_full_unstemmed | The voice, the verse and Alicia. |
| title_short | The voice, the verse and Alicia. |
| title_sort | voice the verse and alicia |
| url | https://revistas.uan.edu.co/index.php/vozavos/article/view/1950 https://repositorio.uan.edu.co/handle/123456789/11356 |
| work_keys_str_mv | AT gaitanosorioluisricardo thevoicetheverseandalicia AT gaitanosorioluisricardo lavozelversoyalicia AT gaitanosorioluisricardo voicetheverseandalicia |
