Creative professor: In search of the new theatrical dramaturgy.

  Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theat...

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Main Author: GINEBROZA CONDE., DANIEL
Format: info:eu-repo/semantics/article
Language:spa
Published: Universidad Antonio Nariño 2021
Online Access:https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
https://repositorio.uan.edu.co/handle/123456789/11334
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author GINEBROZA CONDE., DANIEL
author_facet GINEBROZA CONDE., DANIEL
author_sort GINEBROZA CONDE., DANIEL
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description   Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined.
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spelling repositorio.uan.edu.co-123456789-113342024-10-14T03:49:18Z Creative professor: In search of the new theatrical dramaturgy. Maestro creador: En búsqueda de la nueva dramaturgia teatral. GINEBROZA CONDE., DANIEL   Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined. Desde el siglo pasado los reformadores teatrales se han preguntado cómo podían reforzar la experiencia teatral. Qué elementos eran imprescindibles para el acto teatral. Copeau estableció que el actor era el centro del trabajo teatral, pero a su vez siempre ansió para su teatro la aparición de un nuevo dramaturgo que puedira encumbrar el trabajo que realizó con los actores. Lo que no supo ver fue que ese dramaturgo que sintió que nunca apareció estaba mucho más cerca de él, de lo que jamás pudo imaginarse.     2021-12-23 2024-10-10T10:04:49Z 2024-10-10T10:04:49Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Reflexiones sobre las artes escénicas http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/vozavos/article/view/1255 https://repositorio.uan.edu.co/handle/123456789/11334 spa https://revistas.uan.edu.co/index.php/vozavos/article/view/1255/972 https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf Universidad Antonio Nariño The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 34 - 46 BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 34 - 46
spellingShingle GINEBROZA CONDE., DANIEL
Creative professor: In search of the new theatrical dramaturgy.
title Creative professor: In search of the new theatrical dramaturgy.
title_full Creative professor: In search of the new theatrical dramaturgy.
title_fullStr Creative professor: In search of the new theatrical dramaturgy.
title_full_unstemmed Creative professor: In search of the new theatrical dramaturgy.
title_short Creative professor: In search of the new theatrical dramaturgy.
title_sort creative professor in search of the new theatrical dramaturgy
url https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
https://repositorio.uan.edu.co/handle/123456789/11334
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