“How can I translate nothing into movement?”: The mimesis in Arcadia and Excuse me can you choreograph me
This article investigates different modes of correlation between word and mouvement from Luis Abraham’s (2008) concept of productive mimesis. For this purpose, we analyze two Argentine dance works that can be included in the “aesthetics of emergence” (Laddaga, 2006): Disculpe, puede usted usted core...
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| Main Authors: | , |
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| Format: | info:eu-repo/semantics/article |
| Language: | spa |
| Published: |
UNIVERSIDAD ANTONIO NARIÑO
2022
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| Subjects: | |
| Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/1444 https://repositorio.uan.edu.co/handle/123456789/10709 |
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