Towards a new expanded radioart

In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the...

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Main Author: Rocha Iturbide, Manuel
Format: info:eu-repo/semantics/article
Language:spa
Published: UNIVERSIDAD ANTONIO NARIÑO 2022
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Online Access:https://revistas.uan.edu.co/index.php/nodo/article/view/1366
https://repositorio.uan.edu.co/handle/123456789/10704
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author Rocha Iturbide, Manuel
author_facet Rocha Iturbide, Manuel
author_sort Rocha Iturbide, Manuel
collection DSpace
description In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and mu­sicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.  
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publishDate 2022
publisher UNIVERSIDAD ANTONIO NARIÑO
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spelling repositorio.uan.edu.co-123456789-107042024-10-14T03:45:41Z Towards a new expanded radioart Hacia un radioarte expandido Rocha Iturbide, Manuel arte sonoro intermedia música electroacústica radioarte soundart intermedia electroacoustic music radioart In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and mu­sicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.   En este ensayo propongo abrir el concepto de radio­ar­te para enriquecer el género y acercarlo más a los dis­tintos estilos estéticos de la música electroacústica y del arte sonoro, ya que las instituciones radiofónicas y sus protagonistas se han ensimismado en una escue­ta y limitada definición de géneros del arte radial, que ha limitado las posibilidades expresivas de este interesante espacio eléctrico. Es necesario hacer un análisis comparativo de los lenguajes de estos tres campos (radioarte, arte sonoro y música electroacústica) para en­contrar sus convergencias. A partir de ahí, intento que los radioartistas se acerquen a los estilos estéticos de la electroacústica y del arte conceptual, y que los músicos y artistas de otras disciplinas se aproximen al radio­arte. Finalmente, hago un análisis histórico crítico del papel de las instituciones radiofónicas y culturales de México en un contexto internacional, recono­ciendo su papel protagonista en Latinoamérica, y proponiendo un apoyo mayor en la creación y difusión de obras sonoras para la radio. 2022-10-11 2024-10-10T02:31:47Z 2024-10-10T02:31:47Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/1366 10.54104/nodo.v17n33.1366 https://repositorio.uan.edu.co/handle/123456789/10704 spa https://revistas.uan.edu.co/index.php/nodo/article/view/1366/1129 Derechos de autor 2022 Manuel Rocha Iturbide https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 45-54 2346-092X 1909-3888 10.54104/nodo.v17n33
spellingShingle arte sonoro
intermedia
música electroacústica
radioarte
soundart
intermedia
electroacoustic music
radioart
Rocha Iturbide, Manuel
Towards a new expanded radioart
title Towards a new expanded radioart
title_full Towards a new expanded radioart
title_fullStr Towards a new expanded radioart
title_full_unstemmed Towards a new expanded radioart
title_short Towards a new expanded radioart
title_sort towards a new expanded radioart
topic arte sonoro
intermedia
música electroacústica
radioarte
soundart
intermedia
electroacoustic music
radioart
url https://revistas.uan.edu.co/index.php/nodo/article/view/1366
https://repositorio.uan.edu.co/handle/123456789/10704
work_keys_str_mv AT rochaiturbidemanuel towardsanewexpandedradioart
AT rochaiturbidemanuel haciaunradioarteexpandido
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