Entre el arte sonoro y la música: panorama en Colombia
The aim of this article is to present an overview of music in the contexts of sound art in Colombia, from its confluences and controversies in environments of creation, circulation and formation. A mixed work of compilation, systematization and classification of works on sound art that have taken pl...
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UNIVERSIDAD ANTONIO NARIÑO
2023
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| Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/717 https://repositorio.uan.edu.co/handle/123456789/10664 |
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| author | Díaz Matajira, Jorge Mario Cuervo Pulido, Roberto Brianza, Alejandro Díaz Sánchez, Rodrigo Iván Durán Céspedes, Efraín Fernando Mesa Ruiz, Gina Paola |
| author_facet | Díaz Matajira, Jorge Mario Cuervo Pulido, Roberto Brianza, Alejandro Díaz Sánchez, Rodrigo Iván Durán Céspedes, Efraín Fernando Mesa Ruiz, Gina Paola |
| author_sort | Díaz Matajira, Jorge Mario |
| collection | DSpace |
| description | The aim of this article is to present an overview of music in the contexts of sound art in Colombia, from its confluences and controversies in environments of creation, circulation and formation. A mixed work of compilation, systematization and classification of works on sound art that have taken place in Colombia since the nineties, and the conceptions of sound artists in the country, was carried out in order to present a general perspective and the state of the current discussion on the object of study.
Throughout the text, we will observe the imprint that music has on sound art production, its influence on creation, its permanent participation in festivals, exhibitions and concerts of sound art and the representation in the formative processes that universities have been contributing to the subject. In addition, the tensions generated by the exercise of its definitions, the recognition of the disciplinary limits imposed by tradition and the concepts of matter, space and time that border both disciplines will be discussed.
The research reveals the importance of pursuing the task of systematizing and characterizing the practices of sound art in the country, in order to build a history that must be told in its particular Colombian context. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-10664 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2023 |
| publisher | UNIVERSIDAD ANTONIO NARIÑO |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-106642024-10-14T03:45:44Z Entre el arte sonoro y la música: panorama en Colombia Díaz Matajira, Jorge Mario Cuervo Pulido, Roberto Brianza, Alejandro Díaz Sánchez, Rodrigo Iván Durán Céspedes, Efraín Fernando Mesa Ruiz, Gina Paola Arte sonoro, Arte sonoro en Colombia, Música, paisaje sonoro Sound art, Sound art in Colombia, Music, Soundscape The aim of this article is to present an overview of music in the contexts of sound art in Colombia, from its confluences and controversies in environments of creation, circulation and formation. A mixed work of compilation, systematization and classification of works on sound art that have taken place in Colombia since the nineties, and the conceptions of sound artists in the country, was carried out in order to present a general perspective and the state of the current discussion on the object of study. Throughout the text, we will observe the imprint that music has on sound art production, its influence on creation, its permanent participation in festivals, exhibitions and concerts of sound art and the representation in the formative processes that universities have been contributing to the subject. In addition, the tensions generated by the exercise of its definitions, the recognition of the disciplinary limits imposed by tradition and the concepts of matter, space and time that border both disciplines will be discussed. The research reveals the importance of pursuing the task of systematizing and characterizing the practices of sound art in the country, in order to build a history that must be told in its particular Colombian context. El objetivo del presente artículo es exponer un panorama sobre la música en los contextos del arte sonoro en Colombia, a partir de sus confluencias y controversias en entornos de creación, circulación y formación. Se realizó un trabajo mixto de recopilación, sistematización y clasificación de obras que sobre el hecho sonoro han tenido lugar en Colombia desde los años noventa, y de las concepciones de artistas sonoros en el país, para presentar una perspectiva general y el estado de la discusión actual sobre el objeto de estudio. A lo largo del texto se observará la impronta que tiene la música en la producción artística sonora, su influencia en la creación, su permanente participación en festivales, exposiciones y conciertos de arte sonoro, y la representación en los procesos formativos que las instituciones universitarias vienen aportando al tema. Además, se discutirán las tensiones que genera el ejercicio de sus definiciones, el reconocimiento de los límites disciplinares que ha impuesto la tradición y los conceptos de materia, espacio y tiempo que bordean ambas disciplinas. La investigación devela la importancia de continuar la tarea de sistematizar y caracterizar las prácticas de arte sonoro en el país, con el fin de construir una historia que debe ser contada en su dinámica particular colombiana. 2023-08-16 2024-10-10T02:30:53Z 2024-10-10T02:30:53Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/717 10.54104/nodo.v16n31.717 https://repositorio.uan.edu.co/handle/123456789/10664 spa https://revistas.uan.edu.co/index.php/nodo/article/view/717/1240 Derechos de autor 2021 Jorge Mario Díaz Matajira, Roberto Cuervo Pulido, Alejandro Brianza, Rodrigo Iván Díaz Sánchez, Efraín Fernando Durán Céspedes, Gina Paola Mesa Ruiz https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 16 Núm. 31 (2021): Ciudad y arte sonoro 2346-092X 1909-3888 10.54104/nodo.v15n31 |
| spellingShingle | Arte sonoro, Arte sonoro en Colombia, Música, paisaje sonoro Sound art, Sound art in Colombia, Music, Soundscape Díaz Matajira, Jorge Mario Cuervo Pulido, Roberto Brianza, Alejandro Díaz Sánchez, Rodrigo Iván Durán Céspedes, Efraín Fernando Mesa Ruiz, Gina Paola Entre el arte sonoro y la música: panorama en Colombia |
| title | Entre el arte sonoro y la música: panorama en Colombia |
| title_full | Entre el arte sonoro y la música: panorama en Colombia |
| title_fullStr | Entre el arte sonoro y la música: panorama en Colombia |
| title_full_unstemmed | Entre el arte sonoro y la música: panorama en Colombia |
| title_short | Entre el arte sonoro y la música: panorama en Colombia |
| title_sort | entre el arte sonoro y la musica panorama en colombia |
| topic | Arte sonoro, Arte sonoro en Colombia, Música, paisaje sonoro Sound art, Sound art in Colombia, Music, Soundscape |
| url | https://revistas.uan.edu.co/index.php/nodo/article/view/717 https://repositorio.uan.edu.co/handle/123456789/10664 |
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