A concept map for urban art

By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban...

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Autor principal: Herrera-Zárate, Álvaro Ricardo
Formato: info:eu-repo/semantics/article
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Publicado: UNIVERSIDAD ANTONIO NARIÑO 2011
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Acceso en línea:https://revistas.uan.edu.co/index.php/nodo/article/view/381
https://repositorio.uan.edu.co/handle/123456789/10644
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author Herrera-Zárate, Álvaro Ricardo
author_facet Herrera-Zárate, Álvaro Ricardo
author_sort Herrera-Zárate, Álvaro Ricardo
collection DSpace
description By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban contexts include those with a commemorative or historical character, the ones more interested in aesthetics, the temporal interventions dealing with imprints and markings on the territory, and those of an anthropological approach based on human groups, the article proposes a four-concept structure to organize art manifestations from which it is possible to map them like monuments, sculptures, interventions, and community projects. As a conclusion, the concept map sketched in the article allows for an extensive and clear vision or urban art and its current possibilities; a map that could (and should) be crossed horizontally, given that a site-specific art intervention can become  such an emblematic object like a national monument.
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spelling repositorio.uan.edu.co-123456789-106442025-03-13T22:58:27Z A concept map for urban art Un mapa conceptual para el arte urbano Herrera-Zárate, Álvaro Ricardo Cuidad arte monumentos esculturas intervenciones proyectos comunitarios City art monuments sculptures interventions community art projects By means of various art references and conceptual meditations, the author clarifies how the coexistence of tangible objects and ephemeral artistic actions within public space of contemporary cities can produce a field of multiple possibilities. Since the wide range of artworks present today in urban contexts include those with a commemorative or historical character, the ones more interested in aesthetics, the temporal interventions dealing with imprints and markings on the territory, and those of an anthropological approach based on human groups, the article proposes a four-concept structure to organize art manifestations from which it is possible to map them like monuments, sculptures, interventions, and community projects. As a conclusion, the concept map sketched in the article allows for an extensive and clear vision or urban art and its current possibilities; a map that could (and should) be crossed horizontally, given that a site-specific art intervention can become  such an emblematic object like a national monument. La coexistencia de objetos sólidos y acciones artísticas efímeras o temporales, en los espacios públicos de las ciudades contemporáneas, genera un campo de múltiples posibilidades que el autor clarifica a partir de referentes artísticos y reflexiones conceptuales. El amplio panorama de obras artísticas urbanas presentes en las ciudades incluye las de carácter histórico o conmemorativo, las de carácter estético o plástico, las intervenciones temporales que se relacionan con huellas y sutiles marcas en el territorio, y los proyectos de corte antropológico que se basan en grupos humanos. El artículo propone una estructura de cuatro conceptos para ubicar esas manifestaciones, a partir de la cual se puede realizar un mapeo de las mismas: monumentos, esculturas, intervenciones y proyectos comunitarios. Se concluye que la elaboración del mapa conceptual, esbozado en el artículo, permite una visión amplia y clara del arte urbano y sus actuales posibilidades, que pueden y deben ser cruzadas horizontalmente, pues una intervención en un sitio específico puede llegar a convertirse en algo tan emblemático como un monumento nacional. 2011-12-14 2024-10-10T02:30:41Z 2024-10-10T02:30:41Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/381 https://repositorio.uan.edu.co/handle/123456789/10644 spa https://revistas.uan.edu.co/index.php/nodo/article/view/381/319 https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 6 Núm. 11 (2011); 7 - 22 2346-092X 1909-3888
spellingShingle Cuidad
arte
monumentos
esculturas
intervenciones
proyectos comunitarios
City
art
monuments
sculptures
interventions
community art projects
Herrera-Zárate, Álvaro Ricardo
A concept map for urban art
title A concept map for urban art
title_full A concept map for urban art
title_fullStr A concept map for urban art
title_full_unstemmed A concept map for urban art
title_short A concept map for urban art
title_sort concept map for urban art
topic Cuidad
arte
monumentos
esculturas
intervenciones
proyectos comunitarios
City
art
monuments
sculptures
interventions
community art projects
url https://revistas.uan.edu.co/index.php/nodo/article/view/381
https://repositorio.uan.edu.co/handle/123456789/10644
work_keys_str_mv AT herrerazaratealvaroricardo aconceptmapforurbanart
AT herrerazaratealvaroricardo unmapaconceptualparaelarteurbano
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