Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...
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| Autores principales: | , |
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | spa |
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UNIVERSIDAD ANTONIO NARIÑO
2013
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| Acceso en línea: | https://revistas.uan.edu.co/index.php/nodo/article/view/85 https://repositorio.uan.edu.co/handle/123456789/10553 |
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| _version_ | 1831062874984808448 |
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| author | Chacón-Cervera, Juan Camilo Cuesta, Oscar |
| author_facet | Chacón-Cervera, Juan Camilo Cuesta, Oscar |
| author_sort | Chacón-Cervera, Juan Camilo |
| collection | DSpace |
| description | The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-10553 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2013 |
| publisher | UNIVERSIDAD ANTONIO NARIÑO |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-105532025-03-13T22:58:15Z Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota El grafiti como expresión artística que construye lo político: pluralidad de mundos y percepciones. Una mirada en Bogotá Chacón-Cervera, Juan Camilo Cuesta, Oscar Arte lo político educación colonialismo socialización memoria Art politics education colonialism socialization memory The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. El artículo reflexiona sobre la posibilidad del arte como espacio de interacción, creación y trasformación de mundos donde lo político es un eje fundamental en la constitución de subjetividades. Para ello, se analiza el arte como escenario convergente de mundos, perspectivas y cosmovisiones. En este marco, se observará al grafiti como expresión de lo político, especialmente, como una perspectiva que rescata saberes culturales propios desde la puesta de creaciones artísticas en el espacio público de Bogotá. Finalmente, se observan las posibilidades de socialización y edificación de memoria de las expresiones artísticas. 2013-06-14 2024-10-10T02:29:20Z 2024-10-10T02:29:20Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/85 https://repositorio.uan.edu.co/handle/123456789/10553 spa https://revistas.uan.edu.co/index.php/nodo/article/view/85/67 https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 7 Núm. 14 (2013); 65 - 76 2346-092X 1909-3888 |
| spellingShingle | Arte lo político educación colonialismo socialización memoria Art politics education colonialism socialization memory Chacón-Cervera, Juan Camilo Cuesta, Oscar Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title | Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_full | Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_fullStr | Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_full_unstemmed | Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_short | Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota |
| title_sort | graffiti as an art form and the construction of politics multiple realms and perceptions an overview of bogota |
| topic | Arte lo político educación colonialismo socialización memoria Art politics education colonialism socialization memory |
| url | https://revistas.uan.edu.co/index.php/nodo/article/view/85 https://repositorio.uan.edu.co/handle/123456789/10553 |
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