Violence in Colombia: an artistic perspective
The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Hi...
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UNIVERSIDAD ANTONIO NARIÑO
2012
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| Online Access: | https://revistas.uan.edu.co/index.php/nodo/article/view/75 https://repositorio.uan.edu.co/handle/123456789/10544 |
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| author | Silva-Cañaveral, Sandra Johana |
| author_facet | Silva-Cañaveral, Sandra Johana |
| author_sort | Silva-Cañaveral, Sandra Johana |
| collection | DSpace |
| description | The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration. |
| format | info:eu-repo/semantics/article |
| id | repositorio.uan.edu.co-123456789-10544 |
| institution | Repositorio Digital UAN |
| language | spa |
| publishDate | 2012 |
| publisher | UNIVERSIDAD ANTONIO NARIÑO |
| record_format | dspace |
| spelling | repositorio.uan.edu.co-123456789-105442024-10-14T03:46:10Z Violence in Colombia: an artistic perspective La violencia en Colombia: una perspectiva desde el arte Silva-Cañaveral, Sandra Johana Arte y violencia historia y memoria contramonumento Art and violence history and memory unmonumental art The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration. El artículo, producto de una investigación-creación, aborda la relación entre arte y violencia en Colombia. Se realiza una sucinta caracterización de tres períodos de la violencia delimitados por reconocidos historiadores; y se analiza el caso de la masacre de Trujillo, con base en los resultados obtenidos por el grupo de Memoria Histórica de la Comisión Nacional de Reparación y Reconciliación. Se expone un breviario de las obras más destacadas del arte colombiano que hacen referencia a la violencia, y se reflexiona en torno a la postura que el artista debe adoptar al abordar ese tema. Se presentan algunas de las obras artísticas que han surgido a partir de la masacre de Trujillo, así como de los ríos colombianos, por ser lugares en los que convergen la tragedia que surge de la violencia y la experiencia del duelo sin solución. Finalmente, se presenta la obra que surgió del proceso de investigación: Río, que articula el paisaje y el contramonumento como categorías para la exploración creativa. 2012-12-14 2024-10-10T02:29:15Z 2024-10-10T02:29:15Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 https://revistas.uan.edu.co/index.php/nodo/article/view/75 https://repositorio.uan.edu.co/handle/123456789/10544 spa https://revistas.uan.edu.co/index.php/nodo/article/view/75/58 https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 application/pdf UNIVERSIDAD ANTONIO NARIÑO REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 56 2346-092X 1909-3888 |
| spellingShingle | Arte y violencia historia y memoria contramonumento Art and violence history and memory unmonumental art Silva-Cañaveral, Sandra Johana Violence in Colombia: an artistic perspective |
| title | Violence in Colombia: an artistic perspective |
| title_full | Violence in Colombia: an artistic perspective |
| title_fullStr | Violence in Colombia: an artistic perspective |
| title_full_unstemmed | Violence in Colombia: an artistic perspective |
| title_short | Violence in Colombia: an artistic perspective |
| title_sort | violence in colombia an artistic perspective |
| topic | Arte y violencia historia y memoria contramonumento Art and violence history and memory unmonumental art |
| url | https://revistas.uan.edu.co/index.php/nodo/article/view/75 https://repositorio.uan.edu.co/handle/123456789/10544 |
| work_keys_str_mv | AT silvacanaveralsandrajohana violenceincolombiaanartisticperspective AT silvacanaveralsandrajohana laviolenciaencolombiaunaperspectivadesdeelarte |
